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Final Cut 7 Download Free Mac

Serial of video editing applications by Apple

Last Cut Pro
2015 Final Cut Pro Logo.png
Final cut pro screenshot.png

Screenshot of Last Cut Pro Ten, showing the Viewer and the Timeline
Original author(south) Macromedia Inc.
Developer(s) Apple Inc. (1998–present)
Macromedia Inc. (before 1998)
Initial release June 21, 2011
Stable release

10.6.1 / November 15, 2021; 4 months ago  (2021-11-15) [1]

Written in Cocoa
Operating system macOS eleven.5.1 or afterward.
Size ii.nine GB
Type Video editing software
License Commercial proprietary software
Website Mac App Store

Final Cut Pro is a series of non-linear video editing software programs first developed by Macromedia Inc. and after Apple Inc. The most contempo version, Final Cut Pro 10.6.1, runs on Mac computers powered past macOS Big Sur eleven.five.1 or subsequently. The software allows users to log and transfer video onto a hard drive (internal or external), where it can exist edited, processed, and output to a broad diversity of formats. The fully rewritten Final Cutting Pro X was introduced past Apple in 2011, with the last version of the legacy Final Cut Pro existence version 7.0.iii.

Since the early 2000s, Final Cutting Pro has developed a large and expanding user base, mainly video hobbyists and contained filmmakers. It has also made inroads with film and television editors who have traditionally used Gorging Technology's Media Composer. According to a 2007 SCRI report, Concluding Cutting Pro fabricated upward 49% of the United states of america professional editing market, with Avid at 22%. [two] A published survey in 2008 by the American Movie theatre Editors Lodge placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind. [3]

Features [ edit ]

Last Cut Pro provides non-linear, not-destructive editing of whatever QuickTime-compatible video format including DV, HDV, P2 MXF (DVCProHD), XDCAM (via plug-in), 2K, 4K, 5K, and 8K moving-picture show formats [4] and tin import projects direct from iMovie for iOS and iPadOS. It supports a number of simultaneously composited video tracks (limited mainly by video form capability); unlimited audio tracks; multi-photographic camera editing for combining video from multiple camera sources; 360º video editing support; as well as the standard ripple, ringlet, sideslip, slide, scrub, razor bract and time remapping edit functions. Information technology comes with a range of video transitions and a range of video and sound filters such every bit keying tools, mattes and vocal de-poppers and de-essers. It also has multiple color correction tools including colour wheels, sliders and curves, video scopes and a pick of generators, such as slugs, exam cards, and noise. [iv]

Interface [ edit ]

The legacy (five. 7.0.3 and earlier) Final Cut (Pro and Limited) interface was designed around non-computerized editing workflows, with four main windows that replicate tried-and-trusted methods of organising, viewing and editing physical tape or film media. The browser, where source media files (or clips) are listed, replicates the editor'south traditional pic "bins" or stacks of videotapes. The Viewer, where individual media files can be previewed and trimmed, replicates the source monitor of older tape-based systems. The Canvas replicates the "programme" monitor in such systems, where the edited material is viewed. The Timeline, where media are assembled into a sequence, replicates the physically edited film or main tape of earlier systems. There is as well a minor Toolbox window and two audio-level indicators for the left and right audio channels.

Both the Viewer and Canvass accept a shuttle interface (for variable-speed scanning, forward or backwards through a clip) and a jogging interface for frame-by-frame advancing.

Browser [ edit ]

As in near digital non-linear editing applications, the Browser is not an interface to the estimator's file-system. Information technology is an entirely virtual space in which references to clips (aliases) are placed for easy admission, and arranged in folders called 'bins'. Since they are but references to clips that are on the media drive of the computer, moving or deleting a source file on the media hard drive destroys the link between the entry in the Browser and the actual media. This results in a 'media offline' situation, and the media must be 'reconnected'. Concluding Cut Pro can search for the media itself, or the user can do this manually. If multiple clips are offline at the aforementioned fourth dimension, Concluding Cut can reconnect all the offline media clips that are in the relative directory path every bit the outset offline media clips that is reconnected.

The browser has an 'effects' tab in which video transitions and filters can exist browsed and dragged onto or between clips.

Sail [ edit ]

The sail outputs the contents of the Timeline. To add clips to the Timeline, likewise dragging them there, it is possible to drag clips from the Browser or Viewer onto the Canvas, whereupon the and so-chosen 'edit overlay' appears. The edit overlay has 7 driblet zones, into which clips can be dragged in lodge to perform different edits. The default is the 'overwrite' edit, which overwrites at an in point or the space occupied after the playhead with the incoming prune. The 'insert' edit slots a clip into the sequence at the in point or playhead's position, keeping the balance of the video intact, but moving information technology all aside so that the new prune fits. There are also drop zones to have the application automatically insert transitions. The 'supplant' edit replaces a clip in the Timeline with an incoming clip, and the 'fit to fill' edit does the aforementioned thing, but at the same time, it adjusts the playback speed of the incoming clip and so that all of it volition fit into the required space [in the Timeline]. Finally in that location is the 'superimpose' edit, which automatically places the dropped clip on the rail above the clip in the Timeline, with a duration equal to the clip below information technology. Unless an in or out point are set, all edits occur from the position of the playhead in the Timeline.

Using the wireframe view on the canvas, the clip can exist manipulated directly - dragging it around in the sheet to alter its position, for example, or resizing information technology. Precise adjustment controls for these things are in the viewer.

Viewer [ edit ]

The viewer has tabs for each channel of the selected prune'due south audio, in which the waveform for the audio tin can be viewed and scrubbed, and where its volume can be keyframed. The filters tab is where effects for the clip appear and where their parameters tin be adapted and keyframed. If the clip selected is a generator (such every bit an oval shape), a control tab appears for irresolute its geometrical properties. Finally, the viewer'due south motility tab contains tools to accommodate the scale, opacity, cropping, rotation, distortion, drop shadow, movement mistiness and time remapping properties of a clip. Mini-timelines to the right of each parameter allow the property to be keyframed. The Viewer is not present in Final Cut Pro Ten.

Timeline [ edit ]

Clips can be edited together in timelines called sequences. Sequences can exist nested inside other sequences, so that a filter or transition can be applied to the grouped clips.

The Timeline in Concluding Cut Pro allows 99 video tracks to exist layered on top of each other. If a prune is college [in the timeline] than another, so it obscures whatever is beneath it. The size of a video clip can be altered, and the clips can exist cropped, among many other settings that can exist changed. Opacity levels tin can also be altered, also equally animated over the course of the clip using keyframes, divers either on a graphical overlay, or in the Viewer'south 'motion' tab, where precise percentage opacity values can be entered. Final Cut too has more than a dozen common compositing modes that can be applied to clips, such every bit Add, Subtract, Divergence, Screen, Multiply, Overlay, and Travel Matte Luma/Blastoff.

The compositing style for a prune is changed by control-clicking or right-clicking on the clip and selecting it from the cascading contextual menu, or past selecting the way from the application's 'modify' carte du jour. For either matte modes, the clip that will perform the fundamental is placed overneath the fill prune on the Timeline.

For more advanced compositing Final Cut Pro is uniform with Apple'due south Shake (discontinued) and Apple Motion software.

Keyboard shortcuts [ edit ]

Final Cutting Pro uses a set of hot-keys to select the tools. There are nigh 400 keyboard commands that allow the user to increase the speed of edits. [5] This combined with the nonlinear approach that digital editing, provides Last Cut Pro users with several editing options.

Users can also gear up their own customisable keyboard preferences.

History [ edit ]

Randy Ubillos created the first three versions of Adobe Premiere, the first popular digital video editing application. [6] Before version 5 was released, Ubillos' group was hired by Macromedia to create KeyGrip, congenital from the footing up as a more professional video-editing program based on Apple QuickTime. Macromedia could non release the product without causing its partner Truevision some problems with Microsoft, equally KeyGrip was, in role, based on technology from Microsoft licensed to Truevision and then in turn to Macromedia. The terms of the IP licensing deal stated that it was non to be used in conjunction with QuickTime. Thus, Macromedia was forced to go along the product off the market until a solution could be found. At the same fourth dimension, the company decided to focus more on applications that would back up the web, and then they sought to find a buyer for their not-web applications, including KeyGrip, which by 1998 was renamed Final Cut.

Terminal Cut was shown in individual room demonstrations as a 0.9 alpha at the National Clan of Broadcasters (NAB) exposition in 1998 after Macromedia pulled out of the principal show floor. At the demonstration, both Mac and Windows versions were shown. The Mac version was working with a Truevision RTX dual-stream existent-fourth dimension card with limited real-time furnishings. When no purchaser could be found, Apple tree purchased the squad as a defensive move. When Apple tree could not find a buyer in turn, it continued development work, focusing on adding FireWire/DV support and introduced Final Cut Pro at NAB 1999.

In order that Last Cut Pro would be supported from the first with third-party self-paced and teacher-led training, Apple worked with DVcreators.net, who released a grooming disc chosen "Last Cut Pro PowerStart" at NAB on the day Final Cut Pro was released. Apple worked with DVcreators.net to host hundreds of free and paid Final Cut Pro seminars and workshops in 60 cities in the U.S., Canada and other countries over the following years, a strategy that some feel fundamentally contributed to Final Cut Pro's early on awareness in the market place and ascent in marketplace share.

After the introduction of Final Cutting Pro, Adobe Premiere's market share remained strong on Windows only began to decline on the Mac every bit its older codebase was more hard to maintain. In 2003, Apple tree announced a program for Premiere users to merchandise in their discs for a free copy of Final Cut Express or a $500 discount on Final Cut Pro. [seven]

Final Cut Pro benefited from the relative maturity of QuickTime and its native support for so-new DV cameras continued with FireWire (IEEE1394).

The commencement fully Circulate quality, Worldwide Distributed Tv show produced on Last Cutting Pro was 2000's WOW! Women of Wrestling, using the Acme CinéWave uncompressed video card. The Oxygen Network was a beta site for Final Cut Pro in belatedly 1999 through network launch in early 2000. Shows like ShE-Commerce were cut using FCP.

In late 2001, Independent Producer, Michael A. Bloom announced in an interview with Larry King while defending his controversial film "PlayCouples, A New Era Of Swinging (2003)" was made possible only after his transition from Avid Media Composer to Final Cut Pro. He cited the relatively new platform hadn't failed once while rendering his film, which was not what he experienced with Avid. Later completing much of the leg piece of work under a split understanding between The Oxygen Network and his product company during beta testing of Final Cut he became an outspoken advocate. The studio picture show The Rules of Attraction was edited on beta versions of Terminal Cut Pro three, proving to the film manufacture that successful 3:2 pulldown matchback to 24fps could be accomplished with a "consumer" off-the-shelf product. [viii] Roger Avary, the film's director became the spokesperson for Terminal Cutting Pro, appearing in print advertisements worldwide. His advocacy of the product gave confidence to mainstream editors such as Walter Murch, that the product was ready for "prime number time."

In Baronial 2002, the application won a Primetime Emmy Engineering Award for its touch on the television manufacture. [nine]

Last Cut Pro 4 was announced in April 2003. It included three new applications: Compressor, used for the transcoding between video formats; LiveType for advanced titling (such every bit the creation of blithe lower thirds); and Soundtrack, for royalty-free music soundtrack creation. Information technology also arranged Cinema Tools, which was previously sold separately for filmmakers working with telecine.

As well in 2003, Apple launched Terminal Cut Express, a less expensive version of Final Cutting Pro. It uses the same interface as Final Cutting Pro, but it lacks some of the film-specific tools and other avant-garde options, limiting the feature set for non-professional person editors. In January 2005, Soundtrack and LiveType, previously only available with Final Cut Pro, were added to Limited, and features were added to edit HDV. Soundtrack was afterwards removed with Final Cut Express 4. In June 2011, Final Cut Express was officially discontinued, in favor of Final Cutting Pro X.

In Apr 2004, version four.5 of Concluding Cut Pro was introduced and branded past Apple every bit "Final Cutting Pro HD" due to its native back up for Panasonic's tape-based DVCPRO Hard disk drive format for compressed 720p and 1080i HD over FireWire. (The software had been capable of uncompressed HD editing since version 3.0, simply at the time had required expensive video cards and high speed storage.)

Final Cut Pro five was announced at a pre-NAB event in April, and shipped in May 2005. Last Cutting Pro 5 added back up for the burgeoning HDV format for compressed HD, which had previously been supported in Final Cut Pro's "scaled-downwardly" cousin, Final Cut Express. Final Cut Pro 5 also added back up for Panasonic's P2 format for the recording of DVCPRO HD video to memory cards rather than record.

In January 2006, Apple stopped selling Final Cut Pro as a stand-alone product. In March 2006 the Universal Binary five.1 version was released every bit part of Final Cut Studio. Upgrades were achieved past sending the original installation discs back to Apple with a fee. One noticeable difference is that the Intel versions of Concluding Cut and Motion no longer recognize Later on Effects plug-ins. Instead, Apple released its own universal plug-in compages FxPlug.

On April xv, 2007, Apple revealed Terminal Cut Pro six.0, as the cornerstone of the Final Cut Studio 2 package. Once again, Apple tree did non have a booth at NAB 2009, though the product was well represented on the show floor in various booths. The Carmine Camera team relied heavily on FCP during development.

On July 23, 2009, Final Cutting Pro 7/Terminal Cut Studio 3 (not officially designated as such by Apple tree merely adopted by nigh users to describe the 2009 changes) was released, but it was not yet a 64-bit awarding.

Final Cut Pro X was announced on April 12, 2011 and released on June 21. [x] [eleven] It is a 64-bit awarding completely rebuilt with a new interface, workflow enhancements and automation, and new features such as ColorSync integration, resolution-independent playback system, system scaling with Core Blitheness, and more. The three Final Cut Studio apps, Color, Soundtrack Pro, and DVD Studio Pro were dropped, while Motion 5 and Compressor iv were released onto the Mac App Store.

In its initial release, Final Cut Pro X was met with mixed reviews as many video editors eschewed its dramatic departure from the traditional editing interface and the dropping of many legacy (and some non-legacy) features. At the fourth dimension of the initial release, a meaning number of long-time Final Cut Pro users considered the new product to be an unsatisfactory product undeserving to be part of Final Cut Pro production line. [12] An online petition was started demanding either the continued development of the legacy Final Cut Pro product or its auction to a tertiary party by Jan 1, 2012. The initiator of the petition was banned from the Apple tree discussion forums. [thirteen] Past January 2014, the petition had received well over 9,000 signatures.

On Oct 27, 2016, Apple unveiled Final Cutting Pro X 10.iii, which included a redesigned interface, enhanced window resizing, extended multiple display back up, support for the Touch Bar on the new MacBook Pro, and an updated version of the Magnetic Timeline.

In December 2017, Apple updated Last Cut Pro X to version ten.4, which included enhanced color editing tools, 360-caste video editing back up and support for HDR. The new version also supports the HEVC video format and HEIF photo format. Final Cut Pro X 10.iv has also gained the ability to import projects from iMovie for iOS, and now supports enhanced operation on the iMac Pro. [fourteen]

In November 2020, in tandem with the release of macOS eleven.0 Big Sur, the X was dropped from the name to be "Last Cut Pro". [15]

File format [ edit ]

A Final Cutting Pro Project technically consists of separate files:

  • Project File
  • Media Source Files
  • Render Files, Cache Files

The location of the Media and the Return/Cache Files is not standardised. Concluding Cut Pro can exist configured where to store them. Some users have a cardinal directory where they shop all their Source/Return/Cache files, some set those file paths to their specific project directory, and so that they have all project files at one place.

Afterward having finished a project, one can erase everything but the project file, to salve disk space, and at a afterwards time Final Cut Pro can re-capture/re-link all source data and recalculate all render and cache information, provided information technology can access all linked sources.

Project file [ edit ]

The first versions of Concluding Cutting Pro and Final Cut Express used a binary file which contained all montage information such as timecode data, clip's in/out-points, size/crop/position, composition nesting, filter settings, automation data, etc.

More recent editions of Terminal Cut Pro and Concluding Cut Express, before Final Cut Pro X, used the file extension .fcp.

The latest version of Final Cut Pro, Last Cutting Pro X, uses a new file extension; .fcpx. Apple has come under some criticism for not supporting the older .fcp project files, while information technology does support importing iMovie projects (.imovieproj files). [sixteen] This concern has been addressed through the use of tertiary-party software, allowing for the migration of legacy FCP file formats into working FCPX libraries and projects. The software is called 7toX [17] and was developed by Philip Hodgetts.

Media source files [ edit ]

Either captured from tape or loaded/imported from the file organisation.

Render files, cache files, etc. [ edit ]

Files which are generated past Final Cut Pro, i.e. sound waveform display, filter effects, etc.

Major films edited with Terminal Cutting Pro [ edit ]

See also [ edit ]

References [ edit ]

  1. ^ "Final Cutting Pro".
  2. ^ "FCP passes the million mark". TVB Europe. May i, 2008. Archived from the original on Jan 4, 2009. Retrieved Jan 22, 2010.
  3. ^ "American Movie house Editors Guild 2008 Equipment Survey". American Movie house Editors Lodge. June 21, 2009. Archived from the original on July 24, 2011. Retrieved February 21, 2010.
  4. ^ a b "Final Cut Pro X - Tech Specs". Apple tree.
  5. ^ Jordan, Larry (February 2009). "Customizing Terminal Cutting Pro Keyboard Shortcuts". Larry'due south Final Cut Pro Newsletter. Larry Hashemite kingdom of jordan & Associates, Inc. Retrieved September 24, 2012.
  6. ^ "Apple tree Announces New DEST Fellow member". AppleWeb. November 5, 1999. Retrieved January 22, 2010.
  7. ^ "Apple Offers Premiere Users Easy Switch to Final Cut Pro". Apple. July sixteen, 2003. Archived from the original on January five, 2010. Retrieved Jan 22, 2010.
  8. ^ a b c d east f Burley, Shane (Baronial 5, 2008). "The History of Last Cut Pro". Vivid Hub. Retrieved Jan 23, 2010.
  9. ^ "Apple'due south Final Cut Pro Wins Emmy Award". Apple. August xx, 2002. Archived from the original on Apr 23, 2009. Retrieved January 22, 2010.
  10. ^ "NAB 2011 Final Cut Pro Supermeet Coverage [Final Cut Pro X Announced]". MacRumors. April 12, 2011.
  11. ^ Pigeon, Jackie. "Apple released Final Cut Pro X on 21st June" . Retrieved June 24, 2011.
  12. ^ "Final Cutting Pro X, Motion, Compressor out! - Apple".
  13. ^ "Petition seeks to bring back erstwhile Final Cut Pro".
  14. ^ "Final Cut Pro X introduces 360-degree VR video editing".
  15. ^ Espósito, Filipe (November 13, 2020). "Apple drops the 'Ten' from Concluding Cut Pro branding, adds support for M1 Macs". 9to5Mac . Retrieved November 13, 2020.
  16. ^ Weintraub, Seth (June 21, 2011). "Criticism for non supporting older .fcp file". 9 to 5 Mac. Retrieved June 25, 2011.
  17. ^ Wiggins, Peter. "Philip Hodgetts presents Last Cutting Pro 7 to Ten at the LAFCPUG" . Retrieved July 23, 2016.
  18. ^ "O Brother, Where Fine art 1000? (2000)".
  19. ^ "Editing "The Social Network" in Final Cut Pro with Angus Wall and Kirk Baxter". Artistic Planet Network. February 15, 2012. Retrieved Apr 16, 2021.
  20. ^ Wiggins, Peter. "How the Hollywood feature picture Focus was edited on Terminal Cut Pro X Part One" . Retrieved July 23, 2016.
  21. ^ Wiggins, Peter. "Mail Production on "What Happened, Miss Simone?" An Oscar Nominated Documentary Edited on Final Cut Pro X" . Retrieved July 23, 2016.
  22. ^ Wiggins, Peter. "How the Hollywood movie Whiskey Tango Foxtrot was edited on Last Cut Pro X" . Retrieved July 23, 2016.
  23. ^ Courtens, Ronny. "Hollywood veteran Lance Bachelder explains why he has chosen to utilise Concluding Cut Pro X on his latest feature film "Saved By Grace"" . Retrieved July 23, 2016.
  24. ^ https://blog.frame.io/2020/01/13/parasite-design-and-vfx/

External links [ edit ]

Final Cut 7 Download Free Mac

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